Annual Production 2005

Born Innocent
Not Children

"Not Children" & "Born Innocent"

"Youth" seems to be the theme of Raffles Players' offerings for our annual doublebill.

"Born Innocent" was written by Oon Jit Fong and first staged in 1994 for Drama Feste, representing Buckley house. It's an ensemble piece reflecting how three less fortunate youngsters faced up to life's inequalities. Rahul Ahluwalia plays Jack, a boy born without arms. Jack compensated by focusing on what his legs can do. Anish Kumar Hazra is Billy, who isn't very bright. Billy would be happy with any job he could find, if only his own father could stand the sight of him. Muhammad Nabil Muhamed plays Peter, a blind lad.

Stories about the handicapped are in abundance, and the cast and crew in the production must really work at making us believe that they do care. Teacher director Ms Quah decided to re-cycle the ladders used in an earlier SYF and made the sets work harder this time. The ladders became mountains, morphed into windows, fell like dominoes to crush poor Peter, and rose as platforms for ensemble to voice their reflections. Attention was also paid to explore the stage space to the maximum: height, depth, width were not ignored. Within these were also symbolic movements, moments taken from reality, and space was transformed quickly but clearly. The choice of music too was spare but achieved the drama necessary.

The ensemble is made up of seniors, and their maturity shone (kudos to Julius Foo's training). Each actor had snippets of short but important lines, and each made the most of their two seconds of speeches. Yet, everyone played as part of the bigger picture.

In the end, Billy, Jack and Peter found there were walls that they simply could not overcome. But the production certainly showed that, even within the confines of a small stage, a little ingenuity could pack the space with a universe of ideas.

"Not Children" was originally written by Wong Chen Seong and first staged in 1999 for Drama Feste, representing Buckley house. Seeing so many enthusiastic juniors wanting to play a part, Ms Quah decided to expand the roles to allow as many to participate as possible. Mr Fong brainstormed with the Players to explore ways to make a story about a violent rebellion of youths as they destroy a rigid system created by village elders. Student director Cheng Yi worked closely with Mr Fong to re-mould "Not Children" into a cautionary tale of outsiders wrecking havoc on a society with their good intentions and ignorance.

Once the script was expanded to include a meddling teacher and his two students from the neighbouring city, Cheng Yi got to work with the inexperienced but enthusiastic cast. Soman Singh from Presbyterian High plays the pivotal role of Daughter, as she fought her parents' wishes to marry her into a loveless marriage. S R Sibi and Leow Yao Guang had lots of fun playing the devil's advocate, egging her on with their righteous city folk slogans about women's liberation while snubbing the villagers' way of life. Ng Shi Yang, though young, has put on his most serious face to pull off a believable village elder. Paul Tern showed enough self-doubt to make us forgive the Man, who unwittingly brought on the destruction with a simple desire to learn from the villagers.

Was our decision to involve the juniors justified? The audience was appreciative, and the tickets sold very well thanks to the tireless efforts of Ms Sim. At the end of the day, the cast and crew had their first taste of a big production. The moments when they got the audience to laugh or gasp with them, and the experience will surely stay with them and be an endless source of inspiration and encouragement for greater stuff in their future.

For what's left to remind us when youth and innocence are lost? We still have the memories that we'd tried, and all the lessons that made us wiser along the way.

Otto Fong

Drama Feste 2005

Bayley
Buckley

Bayley: "Lenny The Robot"
Buckley: "<45"
Hullett: "Moo, This & That"
Moor: "A Dream Upon Waking"
Morrison: "Running into Paint"

Stephen Sondheim, in his musical "Into The Woods", has a line that sums up this year's Drama Feste quite well: "Children may not obey, but children will listen."

Bayley kicked off with "Lenny The Robot". Can a society engineer everything, including art? When an artist was killed, all the king's men and all the king's horses put their collective heads together and created a replica of the artist. Using a lively cast, director and scriptwriter Benson Koh cleverly positioned the Art vs Science debate in a whodunit plot.

In Buckley's play, an autistic child is born, and those who survived the shock were forced to deal with it. Older brother tried his best to negotiate his way around a boy who cannot negotiate, while dad gave up and retreated into his work. When the boy became the only witness to a car accident, the victim's son was justifiably frustrated. "<45" won Best Script and Best Actor for Seah Wang Ting, and ultimately took home the Best Play Award.

For Hullett's "Moo, This & That", the intention seemed to be to show the audience a jolly good time. Enjoy the moment, it said! Certainly it succeeded in being a load of fun as it brought the house down with its crackling one-liners and rapid-fire repartee.

In Moor's "A Dream Upon Waking", an ex-convict took up residence with the only person who would take him in. What started off as a deceptive take on the Yellow Ribbon Project (about giving ex-convicts a second chance) began to take on sinister tones as the owner's younger brother/alter ego emerged, slowly taking on a creepy aura and ending in a nightmarish awakening.

Finally, Morrison presented two different worlds in "Running into Paint". The conflict of confronting bread and butter reality and the desire to escape into one's fantasy world is visualized on the canvass stage. Director and scriptwriter Shawn Chua displayed a theatrical sense in the staging and managing a young ensemble cast, pulled off a convincing win for Best Director and Best Ensemble.

Drama Feste '05 clearly showed how every house explored different aspects of society. Ex-convicts, autism, the role of artists in our society are all weighty issues but the student artists handled them with a laudable degree of maturity. Even if the final choice is to escape into a more ideal world or to ease the pain of living by laughing out loud, these brand new works showed that there's a place for every one in the theatre.

Otto Fong